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Torii Kiyonaga (1752-1815) was a Japanese <i>ukiyo-e</i> artist from the Torii school. Born as Sekiguchi Shinsuke in Edo, he enrolled into the Torii school at a young age, where he would eventually succeed his master Torii Kiyomitsu as head of the school.<br/><br/> Kiyonaga was considered one of the great masters of the <i>nishiki-e</i> print and of <i>bijinga</i>, images of beautiful courtesans and women. He also produced a great many prints of <i>kabuki</i> actors and other theatre-related subjects, as well as producing <i>shunga</i> (erotic images).
Torii Kiyonaga (鳥居 清長, 1752 - June 28, 1815) was a Japanese ukiyo-e printmaker and painter of the Torii school. Originally Sekiguchi Shinsuke, the son of an Edo bookseller, he took on Torii Kiyonaga as an art-name (gō). Although not biologically related to the Torii family, he became head of the group after the death of his adoptive father and teacher Torii Kiyomitsu.<br/><br/> The master Kiyomitsu died in 1785; since his son died young, and Kiyotsune, Kiyonaga's senior, was a less promising artist, Kiyonaga was the obvious choice to succeed Kiyomitsu to leadership of the Torii school. However, he delayed this for two years, likely devoting time to his bijinga (portraits of beautiful women) and realizing the immense responsibility that would fall on his shoulders once he took over the school. Thus, in 1787, he began organizing the production of kabuki signboards and the like, which the school held a near monopoly on. He also began to train Kiyomitsu's grandson, Torii Kiyomine, who was to succeed him.<br/><br/> Kiyonaga is considered one of the great masters of the full-color print (nishiki-e) and of bijinga, images of courtesans and other beautiful women. Like most ukiyo-e artists, however, he also produced a number of prints and paintings depicting Kabuki actors and related subjects, many of them promotional materials for the theaters. He also produced a number of shunga, or erotic images.
Torii Kiyonaga (鳥居 清長, 1752 - June 28, 1815) was a Japanese ukiyo-e printmaker and painter of the Torii school. Originally Sekiguchi Shinsuke, the son of an Edo bookseller, he took on Torii Kiyonaga as an art-name (gō). Although not biologically related to the Torii family, he became head of the group after the death of his adoptive father and teacher Torii Kiyomitsu.<br/><br/> The master Kiyomitsu died in 1785; since his son died young, and Kiyotsune, Kiyonaga's senior, was a less promising artist, Kiyonaga was the obvious choice to succeed Kiyomitsu to leadership of the Torii school. However, he delayed this for two years, likely devoting time to his bijinga (portraits of beautiful women) and realizing the immense responsibility that would fall on his shoulders once he took over the school. Thus, in 1787, he began organizing the production of kabuki signboards and the like, which the school held a near monopoly on. He also began to train Kiyomitsu's grandson, Torii Kiyomine, who was to succeed him.<br/><br/> Kiyonaga is considered one of the great masters of the full-color print (nishiki-e) and of bijinga, images of courtesans and other beautiful women. Like most ukiyo-e artists, however, he also produced a number of prints and paintings depicting Kabuki actors and related subjects, many of them promotional materials for the theaters. He also produced a number of shunga, or erotic images.
Torii Kiyonaga (鳥居 清長, 1752 - June 28, 1815) was a Japanese ukiyo-e printmaker and painter of the Torii school. Originally Sekiguchi Shinsuke, the son of an Edo bookseller, he took on Torii Kiyonaga as an art-name (gō). Although not biologically related to the Torii family, he became head of the group after the death of his adoptive father and teacher Torii Kiyomitsu.<br/><br/> The master Kiyomitsu died in 1785; since his son died young, and Kiyotsune, Kiyonaga's senior, was a less promising artist, Kiyonaga was the obvious choice to succeed Kiyomitsu to leadership of the Torii school. However, he delayed this for two years, likely devoting time to his bijinga (portraits of beautiful women) and realizing the immense responsibility that would fall on his shoulders once he took over the school. Thus, in 1787, he began organizing the production of kabuki signboards and the like, which the school held a near monopoly on. He also began to train Kiyomitsu's grandson, Torii Kiyomine, who was to succeed him.<br/><br/> Kiyonaga is considered one of the great masters of the full-color print (nishiki-e) and of bijinga, images of courtesans and other beautiful women. Like most ukiyo-e artists, however, he also produced a number of prints and paintings depicting Kabuki actors and related subjects, many of them promotional materials for the theaters. He also produced a number of shunga, or erotic images.
Torii Kiyonaga (鳥居 清長, 1752 - June 28, 1815) was a Japanese ukiyo-e printmaker and painter of the Torii school. Originally Sekiguchi Shinsuke, the son of an Edo bookseller, he took on Torii Kiyonaga as an art-name (gō). Although not biologically related to the Torii family, he became head of the group after the death of his adoptive father and teacher Torii Kiyomitsu.<br/><br/> The master Kiyomitsu died in 1785; since his son died young, and Kiyotsune, Kiyonaga's senior, was a less promising artist, Kiyonaga was the obvious choice to succeed Kiyomitsu to leadership of the Torii school. However, he delayed this for two years, likely devoting time to his bijinga (portraits of beautiful women) and realizing the immense responsibility that would fall on his shoulders once he took over the school. Thus, in 1787, he began organizing the production of kabuki signboards and the like, which the school held a near monopoly on. He also began to train Kiyomitsu's grandson, Torii Kiyomine, who was to succeed him.<br/><br/> Kiyonaga is considered one of the great masters of the full-color print (nishiki-e) and of bijinga, images of courtesans and other beautiful women. Like most ukiyo-e artists, however, he also produced a number of prints and paintings depicting Kabuki actors and related subjects, many of them promotional materials for the theaters. He also produced a number of shunga, or erotic images.
Torii Kiyonaga (鳥居 清長, 1752 - June 28, 1815) was a Japanese ukiyo-e printmaker and painter of the Torii school. Originally Sekiguchi Shinsuke, the son of an Edo bookseller, he took on Torii Kiyonaga as an art-name (gō). Although not biologically related to the Torii family, he became head of the group after the death of his adoptive father and teacher Torii Kiyomitsu.<br/><br/> The master Kiyomitsu died in 1785; since his son died young, and Kiyotsune, Kiyonaga's senior, was a less promising artist, Kiyonaga was the obvious choice to succeed Kiyomitsu to leadership of the Torii school. However, he delayed this for two years, likely devoting time to his bijinga (portraits of beautiful women) and realizing the immense responsibility that would fall on his shoulders once he took over the school. Thus, in 1787, he began organizing the production of kabuki signboards and the like, which the school held a near monopoly on. He also began to train Kiyomitsu's grandson, Torii Kiyomine, who was to succeed him.<br/><br/> Kiyonaga is considered one of the great masters of the full-color print (nishiki-e) and of bijinga, images of courtesans and other beautiful women. Like most ukiyo-e artists, however, he also produced a number of prints and paintings depicting Kabuki actors and related subjects, many of them promotional materials for the theaters. He also produced a number of shunga, or erotic images.
Torii Kiyonaga (鳥居 清長, 1752 - June 28, 1815) was a Japanese ukiyo-e printmaker and painter of the Torii school. Originally Sekiguchi Shinsuke, the son of an Edo bookseller, he took on Torii Kiyonaga as an art-name (gō). Although not biologically related to the Torii family, he became head of the group after the death of his adoptive father and teacher Torii Kiyomitsu.<br/><br/> The master Kiyomitsu died in 1785; since his son died young, and Kiyotsune, Kiyonaga's senior, was a less promising artist, Kiyonaga was the obvious choice to succeed Kiyomitsu to leadership of the Torii school. However, he delayed this for two years, likely devoting time to his bijinga (portraits of beautiful women) and realizing the immense responsibility that would fall on his shoulders once he took over the school. Thus, in 1787, he began organizing the production of kabuki signboards and the like, which the school held a near monopoly on. He also began to train Kiyomitsu's grandson, Torii Kiyomine, who was to succeed him.<br/><br/> Kiyonaga is considered one of the great masters of the full-color print (nishiki-e) and of bijinga, images of courtesans and other beautiful women. Like most ukiyo-e artists, however, he also produced a number of prints and paintings depicting Kabuki actors and related subjects, many of them promotional materials for the theaters. He also produced a number of shunga, or erotic images.
Torii Kiyonaga (鳥居 清長?, 1752 - June 28, 1815) was a Japanese ukiyo-e printmaker and painter of the Torii school. Originally Sekiguchi Shinsuke, the son of an Edo bookseller, he took on Torii Kiyonaga as an art-name (gō). Although not biologically related to the Torii family, he became head of the group after the death of his adoptive father and teacher Torii Kiyomitsu.<br/><br/> The master Kiyomitsu died in 1785; since his son died young, and Kiyotsune, Kiyonaga's senior, was a less promising artist, Kiyonaga was the obvious choice to succeed Kiyomitsu to leadership of the Torii school. However, he delayed this for two years, likely devoting time to his <i>bijinga</i> (portraits of beautiful women) and realizing the immense responsibility that would fall on his shoulders once he took over the school. Thus, in 1787, he began organizing the production of kabuki signboards and the like, which the school held a near monopoly on. He also began to train Kiyomitsu's grandson, Torii Kiyomine, who was to succeed him.<br/><br/> Kiyonaga is considered one of the great masters of the full-color print (nishiki-e) and of bijinga, images of courtesans and other beautiful women. Like most ukiyo-e artists, however, he also produced a number of prints and paintings depicting Kabuki actors and related subjects, many of them promotional materials for the theaters. He also produced a number of shunga, or erotic images.
Torii Kiyonaga (鳥居 清長, 1752 - June 28, 1815) was a Japanese ukiyo-e printmaker and painter of the Torii school. Originally Sekiguchi Shinsuke, the son of an Edo bookseller, he took on Torii Kiyonaga as an art-name (gō). Although not biologically related to the Torii family, he became head of the group after the death of his adoptive father and teacher Torii Kiyomitsu.<br/><br/> The master Kiyomitsu died in 1785; since his son died young, and Kiyotsune, Kiyonaga's senior, was a less promising artist, Kiyonaga was the obvious choice to succeed Kiyomitsu to leadership of the Torii school. However, he delayed this for two years, likely devoting time to his bijinga (portraits of beautiful women) and realizing the immense responsibility that would fall on his shoulders once he took over the school. Thus, in 1787, he began organizing the production of kabuki signboards and the like, which the school held a near monopoly on. He also began to train Kiyomitsu's grandson, Torii Kiyomine, who was to succeed him.<br/><br/> Kiyonaga is considered one of the great masters of the full-color print (nishiki-e) and of bijinga, images of courtesans and other beautiful women. Like most ukiyo-e artists, however, he also produced a number of prints and paintings depicting Kabuki actors and related subjects, many of them promotional materials for the theaters. He also produced a number of shunga, or erotic images.
Torii Kiyonaga (鳥居 清長, 1752 - June 28, 1815) was a Japanese ukiyo-e printmaker and painter of the Torii school. Originally Sekiguchi Shinsuke, the son of an Edo bookseller, he took on Torii Kiyonaga as an art-name (gō). Although not biologically related to the Torii family, he became head of the group after the death of his adoptive father and teacher Torii Kiyomitsu.<br/><br/> The master Kiyomitsu died in 1785; since his son died young, and Kiyotsune, Kiyonaga's senior, was a less promising artist, Kiyonaga was the obvious choice to succeed Kiyomitsu to leadership of the Torii school. However, he delayed this for two years, likely devoting time to his bijinga (portraits of beautiful women) and realizing the immense responsibility that would fall on his shoulders once he took over the school. Thus, in 1787, he began organizing the production of kabuki signboards and the like, which the school held a near monopoly on. He also began to train Kiyomitsu's grandson, Torii Kiyomine, who was to succeed him.<br/><br/> Kiyonaga is considered one of the great masters of the full-color print (nishiki-e) and of bijinga, images of courtesans and other beautiful women. Like most ukiyo-e artists, however, he also produced a number of prints and paintings depicting Kabuki actors and related subjects, many of them promotional materials for the theaters. He also produced a number of shunga, or erotic images.